本書內所提出的素材”紙’’不只具備有很多的物理特性，同時隱藏了多種的造形加工技術。重視這些「技法」，並於造形實驗的創意思考中下工夫，就會如順藤模瓜式的被挖掘出令人產生濃厚興趣的造形。這即是意味著造形的研究中創意和素材是很重要的。

Papercraft is an extensive survey on the insatiable trend of innovative art and design work crafted from paper. It explores the astounding possibilities of paper and gathers the most extraordinary creations – from small objects and figures to large-scale art installations and urban interventions as well as three-dimensional graphic sculptures from a vast spectrum of artistic di...(展开全部)

Papercraft is an extensive survey on the insatiable trend of innovative art and design work crafted from paper. It explores the astounding possibilities of paper and gathers the most extraordinary creations – from small objects and figures to large-scale art installations and urban interventions as well as three-dimensional graphic sculptures from a vast spectrum of artistic di...(展开全部)

“纸”在立体构成教学中应用的最为普遍，也是最简便和易于体现造型效果的一种材料。《纸的构成》是从基础造型学的角度出发，对造型素材中“最普通”的素材“纸”加以研究和开发，以整体造型为目标去实践性地了解对所有类型的造型的基础性研究。通过本书的阅读，读者可以对于“纸”这种材料在立体构成教学，特别是立体造型设计中的应用范围、造型效果以及所产生的无尽的创造力有一个全新的认识、欣赏和借鉴。 第一章　纸的文化 第二章　纸的构成 第三章　纸与艺术和设计 第四章　资料篇

“纸”在立体构成教学中应用的最为普遍，也是最简便和易于体现造型效果的一种材料。《纸的构成》是从基础造型学的角度出发，对造型素材中“最普通”的素材“纸”加以研究和开发，以整体造型为目标去实践性地了解对所有类型的造型的基础性研究。通过本书的阅读，读者可以对于“纸”这种材料在立体构成教学，特别是立体造型设计中的应用范围、造型效果以及所产生的无尽的创造力有一个全新的认识、欣赏和借鉴。 第一章　纸的文化 第二章　纸的构成 第三章　纸与艺术和设计 第四章　资料篇

What is the primary quality of great design? It moves. It moves us emotionally, travels from person to person, and takes us toward something better. Designers connect and build bridges that lead us to new places and expand what is possible. We tell productive untruths, then toil to make them reality. The practice shifts like a shadow and moves the target. When it does so, the p...(展开全部)

What is the primary quality of great design? It moves. It moves us emotionally, travels from person to person, and takes us toward something better. Designers connect and build bridges that lead us to new places and expand what is possible. We tell productive untruths, then toil to make them reality. The practice shifts like a shadow and moves the target. When it does so, the p...(展开全部)

How do we see the world around us? "The Penguin on Design" series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever. Bruno Munari was among the most inspirational designers of all time, described by Picasso as 'the new Leonardo'. Munari insisted that design be beautiful, functional and accessible, and this enligh...(展开全部)

How do we see the world around us? "The Penguin on Design" series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever. Bruno Munari was among the most inspirational designers of all time, described by Picasso as 'the new Leonardo'. Munari insisted that design be beautiful, functional and accessible, and this enligh...(展开全部)

中央圣马丁学院隶属伦敦艺术大学（University of the arts london，简称UAL），世界四大时装设计学院之一，是一所全球文明的艺术设计学院，也是众多艺术家和设计师的摇篮。 露西·亚历山德拉 & 蒂莫西·米拉 中央圣马丁艺术设计基础预科课程负责人，本书由他们带头，与其他导师、毕业校友和学生共同撰写。